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Duo Maresienne & Special Guests
Early Music Afternoons 2010-2011

 

Violinist

I. Sunday, October 3, 2010

 

In the Wake of Corelli: 18th-century Italian music for viola da gamba and Baroque lutes.
Duo Maresienne (Carol Lewis, viola da gamba; Olav Chris Henriksen, Baroque lutes) perform
late Baroque and early classical works by Corelli, Zamboni, Mascitti, Fontanelli, and others.

 

II. Sunday, November 21, 2010

 

From the Parlor to the Blue: the Guitar in America 1776-1930.
Olav Chris Henriksen performs music from the early days of English and Spanish guitars to the dawn of jazz and slide guitar styles, including works by Coupa, Buckley, Holland, Bickford, Lang, Tampa Red and others.

 

dou

III. Sunday, January 30, 2011

 

Semper Dowland, Semper Dolens: Music of John Dowland.
Michael Collver, countertenor, and El Dorado Ensemble (Carol Lewis, Janet Haas, Mai-Lan Broekman, Paul Johnson and Alice Mroszczyk, violas da gamba; Olav Chris Henriksen, lute) perform consort songs, Lachrimae, lute solos and other works by Dowland.

 

IV. Sunday, March 27, 2011

 

The Royall Harp Consort: Music by William Lawes and his Contemporaries.
Works by Lawes, Butler, Jenkins, Hely, Lawrence and others, performed by Barbara Poeschl-Edrich, harp; Lisa Brooke, violin; Olav Chris Henriksen, theorbo and lute; Carol Lewis, viola dagamba.

 

guitar

 

V. Sunday, May 8 , 2011

 

Terpsichore: Renaissance Dance Music from Northern Europe.
El Dorado Ensemble (Carol Lewis, Janet Haas, Mai-Lan Broekman, Paul Johnson and Alice Mroszczyk, violas da gamba; Olav Chris Henriksen, lute and cittern), perform a Mother’s Day concert of instrumental fantasies, dances and solos by Praetorius, Moritz Landgraf von Hessen, Widmann, Cato and others.

 

All concerts take place at the Somerville Museum, One Westwood Road (at Central St.), Somerville, MA, and begin at 3:00 p.m. For further information, call (617) 666-9810. Admission is $17 for the general public, $12 for students, seniors and Museum members.

 

The Somerville Museum is supported by a grant from the Massachusetts Cultural
Council and by generous contributions from the membership of the Somerville
Museum


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